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1  General / Sequencer / Re: Kia Bowsh Mixing Session 3 on: July 28, 2008, 07:20:06 am
Good job I am glad you were specific about that the first time hahahah.  Ya if you think thats alot of swearing you should meet me in real life when you piss me off. hahaha
2  General / Song Requests/Complaints / Re: LEFT SPINE DOWN! on: July 28, 2008, 07:18:47 am
spell check you guys are kidding right? This is a fucking forum we aren't writing a novel hahahaha. You guys have way to much time ion your hands holy shit.
3  General / Sequencer / Dirty Audio in Sequencers is liek puting your dick into shit on: July 27, 2008, 02:30:15 pm
hahahah are you kidding? you didn't just say to drop the waveforms into a sequencer did you. Now I know you know nothing about recording. Ya lets drop an audio file that has tons of backgraound noise and bleed into a fucking sampler that will for sure clean up the audio hahahahahha.

I wish it worked that way but it doesn't.

BTW why are you such a fucking asshole? you always have a fucking comment about anything anyone does on here? Your a fucking nerd your on here every fucking day aren't you?

Don't fucking talk to me anymore man I hate disrespectful fucks like you.

If you have anything interesting to say without being a fucking prick then by all means aswk away. Don't even fucking bother to say anythign disrespectful though.

I already don't like you as is!
4  General / Song Requests/Complaints / Disrespectful piece of shit! on: July 27, 2008, 02:25:07 pm
You know what your one of the most disrespectful people I have come across in along time. FUCK YOU get a fucking life and stop going out of your fucking way to bash people.
Your lucky this is he fucking internet.

The thing you said about getting a life well fuck you you piece of shit I don't give a fucking shit if you dislike the msuic, I don;t give a fucking shit if your bashing it, But I do give a shit about seeing what a shtity person you are. yOUR ACTUALLY GOING OUT OF YOUR FUCKING WAY TO TALK SHIT ABOUT SOMETHIGN THAT SHOULDN'T EVEN MATTER TO YOU.

Seriously your a piece of fucking shit, grow the fuck up and stop bashing shit. rememebr I don;t care that much for the music to be considered a fan but I have worked for them and theya re some of my best frineds. I don;t like the msuic sooo much either but i don't bash it at all I support them more than anything becasue that's there life and it;s hard to find that passion in people these dyas.

Anyways grow up man get some fucking respect you ungratefull fuck.

5  General / Song Requests/Complaints / Pur Pale on: July 27, 2008, 04:06:06 am
Alright I just read through this entire post here. this is ridicules half teh thing was about hwo much they sucked. Well I wish you people would have enough respect to know that if you actualy took a listen to this music, like actually and listened to the quality of the audio you wil see that these guys know there shit about digital audio.

I understand that the music compositionally may not be appealing but come on does music always just have to be about background sound while doing work?

Appreciate it on a diffenret level ya maybe the song isn't hat great but what else is here can I take anything out of this? Maybe the lyrics have an interesting mesage? how did they record all those sounds?

Anyways I am getting tired of people bashing people's life work it's fine if you don't like a band but at least just only say it once these guys have put in alot of hard work and dedicated there lives to give you guys something to enjoy and if you can't enjoy it then at least have enough respect not to rip it apart.

Look at all the other buillshit acts in vancouver this is one of the oinly really quality electronic rock bands in vancouver right now if you want to go listen to the same band night after night then go to every other abr where they aren't playing.

Don't you find vancouver to be highly uninteresting musically these days?

Well anways jsut give these guys props they work their ass's off for you guys.

Ryan 'Tweak' Clark
dd06ryan@vfs.com
W.A.T.T. STUDIOS: www.myspace.com/wattstudios
PUR PALE: www.myspace.com/purpale
6  General / Sequencer / Kia Bowsh Mixing Session 3 on: July 27, 2008, 03:48:06 am
Kia Bowsh Mixing Session 3

Today I ended up arriving at the W.A.T.T. STUDIOS at 10am this morning and left tonight at midight. that 's right 14hrs straight of mixing 3 smoke breaks.

Anyways I find that to be pretty insane anywyas. Here is the scoop on what happened today in the Kia Bowsh mixing session.

I actually finished the first mix of "Prajna' by Kia Bowsh last week. This week I sat down and studied my ass off on everything I could learn about nuendo. So I decided today I would start the mix again from scratch and apply some new techniques I was shown.

Compresion & Dynamics:

Link To YouTube Tutorial

http://www.youtube.com/watch?v=UrRM4k2Pyvk&feature=related

So the fist thing I did today was re import all of the tracks back into nuendo. The fist stage is to clean up all the audio trakcs which took about 14 hours today just to clean up. So what you want to do is go upto your audio file drop down at the top of nuendo go to Advanced and click on delete silence. The Delete silnce window will now pop up and you can edit your open and close threshold to tell the program where exactly you want to assign there zones aroudn the audio you want to keep. After you have all your audio selected you hit process and it will automatically delete all the unwanted audio aprts from your track.

You don't just stop here though just because the delete silence function deleted all your unwanted data you will stil ahve to zoom in and edit each smaple by hand which meens some of the startand end points may have got chopped off and you will have to add either crossfade or a fade out tail on teh end of your samples to make it sound more smoothe.

The next step after you have gone through all your tracks and cleaned all the nosie out of the audio tracks you want to look at your audio peaks. You will see that theya re all over the place some are just ready to sclip wihich means distort and some are way to low. So now that we have all our silence deleted now we will have to go back into our samples and cut each note from the samples which is just like cutting film in half we will sue our scissor tool to separate all our notes into regions.

Okay now all our notes are cut on every track, that took a while didn't it? haha now we look at the waveform the top of the waveform are called peaks it's the peak of the audio. What we want to do now is lower these peaks down to amtch the rest of the peaks. Why do we do this? To create consistency and also to save us alot of hard ache in reproduction. sometimes if peaks are to harsh and all over the place it's hard for your home stereo or even car stereo to handle these peaks and may even decide to distort thsoe waveforms. So lets go to our timeline in nuendo and if you click on a region or sample you will notice a line across your sample in blue with 2 arrow and a dot in the middle. take your selection tool teh pointer and move down the dot in the middle til you see the highest peak line up with the audio peak next to it from the other region. We also want to do this for all the track aswell. This is also a great way of doing a sort of natural compression I find that if you can hand edit as much effects or processing as possible you will get the best results.

Okay so now we have all our audio cut and the peaks of the entire songs dynamics have been cleaned up. Lets take a minute to go upto our first track solo this track and just listen to it. Is teh bass to high? Maybe it's to low? is the treble to high or low? does teh track stil ahve noise coming into it from under the audio? try and pcik out what you can make better about the indivudal tracks and this is where you start your signal processing compression, eq, delay, noise gates, limiters, ect.

I will stop here for now for I just wanted to sahre a small portion of what I was doing today. I will talk more about signal processing on a later date.

So this is the exact process that I went through today. I will let you in on one more cool feature that nuendo and cubase has to offer. If you are in stacked recording mode and you set your region marker to lets say 2 bars. we record enable our audio track to record some audio. If we go into our transport window and put our track to paly on loop and hit record as we are recording our audio each full cycle that it loops through teh zone will create a separate lane (Audio Track) for our recording.

Why would we need this?

Say that your recording alone and you don't have another person to keep hitting record for you, you can literally push record and play your part as many times as you like when you hit stop the audio will be automatically separated for you into lanes this way you can cut up the audio that you liek and dislike, choose the audio you like and mute the parts you dislike then you can merge all your selcted bits onto one track the the bad audio parts will be erased. if you want to recall up one fo the parts that got erased you can still go into your pool (where the program saves all the audio in a session) and bring that audio track back in by draging it to your timeline.

So I hope that helps a bit and hopefully you guys can try this for yourselves this wil save you hours of editing time and is a very professional way to get your audio to sound really nice.

Ryan 'Tweak' Clark

W.A.T.T. STUDIOS
www.myspace.com/wattstudios
7  General / Song Requests/Complaints / PUR PALE on: June 28, 2008, 06:39:39 am
Pur Pale: Biography
Written by: Ryan ‘Tweak” Clark
01.29.08

We came from a background of obsession, we became the obsessed, every moment and chance we grew and understood the language and art of music and musical interpretation to creation.

Everyone we knew were always the types of people who would skip school or work to be the first in line for that amazing band that we all desperately needed to go see and experience. Everyone we knew were the first ones in line to purchase our favourite bands brand new album. Then everyone we knew all gathered around our stereos turned out all the lights, light our candles, closed our eyes and experienced that album for the very first time. The first listen was always the most serious and analytical by the 5th-7th listen we would already be figuring out the processes, structure’s and instrumentation's within those albums. Basically every little detail about the music was analyzed and interpreted. Running our stereos through eq systems to pump or reduce frequencies to magnify small details within the music itself, we would reverse the music and fast forward to find secrets about that album which the engineers and artists always loved to throw into that final master mix. It was these details that we took out of the music which began manifesting Pur Pale into what it has become today musically. But it was through my own interpretation of life's experiences that created the artistic backbone. Through all the self inflected abuse, lieing, selfishness, violence, suicides, drug abuse, non-believer of spirituality or god for lack of physical proof and everything that was The Negative within my own personal past aggravations of life I found the truth within all of these topics.

Pur Pale is the representation of a sterile mind "pur" meaning Pure and "Pale" meaning white (Pur White). Similar to that time when you couldn't stop your eyes from un-focusing on that one little section of that wall, sucking yourself into a spacey trance of sterile numbness but yet utter comfortably and trust. Talking about topics and issues in which people tend to find uncomfortable, humiliating, terrifying or even things in which people find hard to express in fear of negative critism and judgment. Pur Pale is here to become a part of all our relative natures, we are here for one another to guide as a community of growth and understanding over our independent personal selves in order to better understand the world around us in order to obtain that selfless humanity, We analyze, interpret and communicate from every point of view in all contrasts from every angle.

We start each project with an independent purpose or topic of emotional relativity in which manifests itself from within our daily environments. By the end of the project we have turned that independent purpose of emotional relativity into a globalized feeling but never understanding of the topic itself. Our art is here in order to stimulate and relate to each individual listener in unique way. There is a personal message behind each song but what I find to be the most powerful is to find that relative message within yourself in order to better understand yourself or to obtain that relational experience from an outsider’s perspective of understanding.

"Everything is an influence around us it's what we actually take in and make ours that lets us create what we tend to create."

"Art is not only a way of expression but it's the evolution of structure and detail."

~Ryan 'Tweak' Clark~

www.myspace.com/purpale

The Only Way OUT is IN...We Are The Targets...The Only Way OUT is IN...We Are The Targets...The Only Way OUT is IN...The Only Way OUT is IN...We Are The Targets...The Only Way OUT is IN...We Are The Targets...The Only Way OUT is IN...The Only Way OUT is IN...We Are The Targets...The Only Way OUT is IN...We Are The Targets...The Only Way OUT is IN...The Only Way OUT is IN...We Are The Targets...The Only Way OUT is IN...We Are The Targets...The Only Way OUT is IN...The Only Way OUT is IN...We Are The Targets...The Only Way OUT is IN...We Are The Targets...The Only Way OUT is IN...The Only Way OUT is IN...We Are The Targets...The Only Way OUT is IN...We Are The Targets...The Only Way OUT is IN...
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