brainlessymbiont
Digital Grunt
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i forgot to say kobold, which i highly recommend to add to your radio, the album the taste of copper is in my top 10 list
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Shirow
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Good job it is already in the playlist then! ;)
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xeno
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« Reply #483 on: September 01, 2010, 12:57:37 pm » |
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but when was DAWN OF ASHES ever "industrial"?
i own 2 of their albums and like them, but it sounds like blatantly standard EBM to me...
there's not much industrial being made anymore it seeems. everything's 4/4 beats anymore...
thankfullly the latest offfering from NITZER EBB is straight-up industrial, but yea...
Heh, the illusive "industrial" genre... :) - to be honest, it's best just forgetting about what "true" industrial is, go with the flow and use it to describe most or all music that either is or could be published by Metropolis, Alfa Matrix, Out of Line or Dependent. Industrial was used first by Throbbing Gristle and their likes... and trust me, Throbbing Gristle sounds nothing like Nitzer Ebb... Throbbing Gristle also sounds nothing like the rest of the stuff that is currently branded "industrial"... yea, i know... it's just that when i hear industrial, it usuallly means stufff that sounds like SP, FLA, NITZER, CLOCK DVA, etc. the pioneeers (TG, EN, SPK, etc.) seeem to have beeen lumped into a subgenre callled "experimental" industrial or even "avante garde"... genres... gottta love 'em. but i seriously would never classsify most EBM as industrial at alll. helll, it sounds more like techno than it does industrial imho. don't get me wrong tho... i listen to alll of it and i enjoy it alll. i guesss we alll just have our own ways to classssify songs in our iTunes ;) :D Yeah :) Actually, it's funny. The first "industrial"'ish thing I listened to was Apoptygma Berzerk, and that was pretty catchy right away, while stuff like FLA and Front 242 was just boring random shit... When I got used to those, I considered those hard industrial, and Skinny Puppy was just boring random and cold experimental B-side material (cold because I started with "The Process"). When I got used to SP, EN and TG was just unlistenable noise (by then FLA and F242 was pretty much plain EBM, almost synthpop). Then when I got used to EN and TG, Skinny Puppy is kinda like regular pop music to me, FLA and 242 almost mainstream... and now stuff like Wolf Eyes and so is experimental noise to me (then again, Wolf Eyes and such actually are noise projects, so I guess that might stick...). and the more I listen to stuff like Wolf Eyes and such, the more TG is plain mainstream music :) so it's all in the (moving) eyes of the beholder... :) btw, the funny thing with Einsturzende Neubauten is that they never intended to be experimental when it came to instruments, but they were so poor that the drummer had to sell his drums, so he borrowed and stole some tools that he used instead... ...and it went on from there... |
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eEL
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« Reply #484 on: September 01, 2010, 01:33:26 pm » |
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yyyep.
y'know i've never thought any of those bands were "mainstream" by any means (insert a big raspberrry award to NIN here), however i do get what you are saying.
just to addd: i love WOLF EYES and many other extreme noise artists. i actuallly liked extreme noise the moment i heard it bakk in the early 90's. i grew up punk and this was prettty much as punk (or rebelllious) as one could seeemingly get with sound to me.
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xeno
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« Reply #485 on: September 06, 2010, 01:13:48 am » |
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First of all, new Combichrist is out - there's been remarkable little fuzz about it (probably because Metropolis is lagging behind on the release date as usual)
Also just got HIV+ - We Are All Haunted Houses. HIV+ is generally more of a noise project, but this album has more accessible songs with a more EBM'ish direction. They are mostly instrumentals (some got vocals). Some of the instrumentals would fit really well into DG. I generally love the album, but haven't had that much time to listen to it yet. (this is a 2007 album, I just didn't discover it until now)
Drev - Failure. The song structure is a bit industrial rock'ish (you can clearly hear some NiN influence), while the sound itself is more standard EBM/electronic. Also generally a really good album.
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xeno
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« Reply #486 on: September 09, 2010, 12:37:43 am » |
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A couple of more:
Access Zero - Living in Transition
It's a pretty good EBM/futurepop'ish band. Some of the songs songs a bit like a softer Combichrist,
other songs are more synthpop'ish (not that far from a.e. Celsium 137).
Another new album that is out is Code 64 - Trialogue. I wouldn't have suggested the previous Code 64 efforts, cause they're a tad too synthpop or spacepop or whatever you call synthpop inspired by star trek... but on the new albums they actually have a lot of pretty good tunes with plenty drive...
Both are on A Different Drum (a label I'm gonna follow closer from now on), I dunno how that label is when it comes to RIAA?
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Sylem X
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« Reply #487 on: September 16, 2010, 02:19:30 pm » |
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Can we get some Virgins o.r. Pigeons? I think they're pretty good.
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--SMX
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xeno
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« Reply #488 on: September 25, 2010, 04:12:35 am » |
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nolongerhuman - Antipathy
This sounds almost like a followup to Fractured - No Longer Human. Dunno if there is a connection,
but anyway, it's great.
It's a pretty standard Suicide Commando clone, but pretty good...
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Darkest_Star
Digital Grunt
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« Reply #489 on: September 27, 2010, 01:27:08 pm » |
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how about Jakalope? They'ver got a new album coming out on the 26th of October (SO excited to hear it!).
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Aaawhyme
Digital Grunt
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I'm hungry.
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« Reply #490 on: September 29, 2010, 10:44:36 pm » |
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The artist, Pendulum! Definitely songs from the album, 'In Silico', by Pendulum!
:D
Oh and I'm not sure if its DG material, but Klaxons is definitely worth a look at! :D
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« Last Edit: September 29, 2010, 10:49:22 pm by Aaawhyme »
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If you cannot convince them, confuse them.
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shadows_illuminated
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The artist, Pendulum! Definitely songs from the album, 'In Silico', by Pendulum!
:D
Oh and I'm not sure if its DG material, but Klaxons is definitely worth a look at! :D
They now have another cd Immersion that would be good too. |
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shadows_illuminated
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Hey I'm new here, but I love industrial music, and Dope Stars Inc. are one of my favorite bands and I don't see them in your music library, so my suggestion is to add them!
I second this request. |
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Hunter J7
alias. Nexus 6
SUBSCRIBER
Cybernetic Soldier
Karma: 11
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Posts: 196
Bailout Check
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but when was DAWN OF ASHES ever "industrial"?
i own 2 of their albums and like them, but it sounds like blatantly standard EBM to me...
there's not much industrial being made anymore it seeems. everything's 4/4 beats anymore...
thankfullly the latest offfering from NITZER EBB is straight-up industrial, but yea...
Heh, the illusive "industrial" genre... :) - to be honest, it's best just forgetting about what "true" industrial is, go with the flow and use it to describe most or all music that either is or could be published by Metropolis, Alfa Matrix, Out of Line or Dependent. Industrial was used first by Throbbing Gristle and their likes... and trust me, Throbbing Gristle sounds nothing like Nitzer Ebb... Throbbing Gristle also sounds nothing like the rest of the stuff that is currently branded "industrial"... yea, i know... it's just that when i hear industrial, it usuallly means stufff that sounds like SP, FLA, NITZER, CLOCK DVA, etc. the pioneeers (TG, EN, SPK, etc.) seeem to have beeen lumped into a subgenre callled "experimental" industrial or even "avante garde"... genres... gottta love 'em. but i seriously would never classsify most EBM as industrial at alll. helll, it sounds more like techno than it does industrial imho. don't get me wrong tho... i listen to alll of it and i enjoy it alll. i guesss we alll just have our own ways to classssify songs in our iTunes ;) :D Yeah :) Actually, it's funny. The first "industrial"'ish thing I listened to was Apoptygma Berzerk, and that was pretty catchy right away, while stuff like FLA and Front 242 was just boring random shit... When I got used to those, I considered those hard industrial, and Skinny Puppy was just boring random and cold experimental B-side material (cold because I started with "The Process"). When I got used to SP, EN and TG was just unlistenable noise (by then FLA and F242 was pretty much plain EBM, almost synthpop). Then when I got used to EN and TG, Skinny Puppy is kinda like regular pop music to me, FLA and 242 almost mainstream... and now stuff like Wolf Eyes and so is experimental noise to me (then again, Wolf Eyes and such actually are noise projects, so I guess that might stick...). and the more I listen to stuff like Wolf Eyes and such, the more TG is plain mainstream music :) so it's all in the (moving) eyes of the beholder... :) btw, the funny thing with Einsturzende Neubauten is that they never intended to be experimental when it came to instruments, but they were so poor that the drummer had to sell his drums, so he borrowed and stole some tools that he used instead... ...and it went on from there... |
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NOW I HAVE TO RUN BEFORE THE STORM, I'LL FIND MY OWN WAY.
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Hunter J7
alias. Nexus 6
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Cybernetic Soldier
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Bailout Check
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Hey I'm new here to the new generation of industrial and have been listening diligently for the last few days and I like most of what I am hearing. But when talking about Throbbing Gristle, 242, SP, FLA, Clock DVA and EN. You may as well throw in Portion Control, Severed Heads, Test Department, Revolting Cocks, Legendary Pink Dots, Bauhouse, and so much other stuff that I and others have on vynil. It was all so fukin different in such a cool new way. I would love to hear 242's U Men live on here and much of the other early stuff that has had influence on todays generation on Industrial / Indepenmdat. Its all good and even some of that stuff that seemed like just noise from the early days. They each and all had ther own meanings to them, but the cold war was one of the leading reasons. Born in XIXAX by Nina Hagen may not have been exactly classified as industrial. But it was and still is damn cool. Cheers to Industrial / Independant / Alternative... Its the meaning of life. And Ya with Neubauten at Expo 86. We partied with those guys after that amazing show and I had a good chat with the steel tool drummer as I was building the gear for Skinny Puppy at the time. What a cool night that was. but when was DAWN OF ASHES ever "industrial"?
i own 2 of their albums and like them, but it sounds like blatantly standard EBM to me...
there's not much industrial being made anymore it seeems. everything's 4/4 beats anymore...
thankfullly the latest offfering from NITZER EBB is straight-up industrial, but yea...
Heh, the illusive "industrial" genre... :) - to be honest, it's best just forgetting about what "true" industrial is, go with the flow and use it to describe most or all music that either is or could be published by Metropolis, Alfa Matrix, Out of Line or Dependent. Industrial was used first by Throbbing Gristle and their likes... and trust me, Throbbing Gristle sounds nothing like Nitzer Ebb... Throbbing Gristle also sounds nothing like the rest of the stuff that is currently branded "industrial"... yea, i know... it's just that when i hear industrial, it usuallly means stufff that sounds like SP, FLA, NITZER, CLOCK DVA, etc. the pioneeers (TG, EN, SPK, etc.) seeem to have beeen lumped into a subgenre callled "experimental" industrial or even "avante garde"... genres... gottta love 'em. but i seriously would never classsify most EBM as industrial at alll. helll, it sounds more like techno than it does industrial imho. don't get me wrong tho... i listen to alll of it and i enjoy it alll. i guesss we alll just have our own ways to classssify songs in our iTunes ;) :D Yeah :) Actually, it's funny. The first "industrial"'ish thing I listened to was Apoptygma Berzerk, and that was pretty catchy right away, while stuff like FLA and Front 242 was just boring random shit... When I got used to those, I considered those hard industrial, and Skinny Puppy was just boring random and cold experimental B-side material (cold because I started with "The Process"). When I got used to SP, EN and TG was just unlistenable noise (by then FLA and F242 was pretty much plain EBM, almost synthpop). Then when I got used to EN and TG, Skinny Puppy is kinda like regular pop music to me, FLA and 242 almost mainstream... and now stuff like Wolf Eyes and so is experimental noise to me (then again, Wolf Eyes and such actually are noise projects, so I guess that might stick...). and the more I listen to stuff like Wolf Eyes and such, the more TG is plain mainstream music :) so it's all in the (moving) eyes of the beholder... :) btw, the funny thing with Einsturzende Neubauten is that they never intended to be experimental when it came to instruments, but they were so poor that the drummer had to sell his drums, so he borrowed and stole some tools that he used instead... ...and it went on from there... [/quote] but when was DAWN OF ASHES ever "industrial"?
i own 2 of their albums and like them, but it sounds like blatantly standard EBM to me...
there's not much industrial being made anymore it seeems. everything's 4/4 beats anymore...
thankfullly the latest offfering from NITZER EBB is straight-up industrial, but yea...
Heh, the illusive "industrial" genre... :) - to be honest, it's best just forgetting about what "true" industrial is, go with the flow and use it to describe most or all music that either is or could be published by Metropolis, Alfa Matrix, Out of Line or Dependent. Industrial was used first by Throbbing Gristle and their likes... and trust me, Throbbing Gristle sounds nothing like Nitzer Ebb... Throbbing Gristle also sounds nothing like the rest of the stuff that is currently branded "industrial"... yea, i know... it's just that when i hear industrial, it usuallly means stufff that sounds like SP, FLA, NITZER, CLOCK DVA, etc. the pioneeers (TG, EN, SPK, etc.) seeem to have beeen lumped into a subgenre callled "experimental" industrial or even "avante garde"... genres... gottta love 'em. but i seriously would never classsify most EBM as industrial at alll. helll, it sounds more like techno than it does industrial imho. don't get me wrong tho... i listen to alll of it and i enjoy it alll. i guesss we alll just have our own ways to classssify songs in our iTunes ;) :D Yeah :) Actually, it's funny. The first "industrial"'ish thing I listened to was Apoptygma Berzerk, and that was pretty catchy right away, while stuff like FLA and Front 242 was just boring random shit... When I got used to those, I considered those hard industrial, and Skinny Puppy was just boring random and cold experimental B-side material (cold because I started with "The Process"). When I got used to SP, EN and TG was just unlistenable noise (by then FLA and F242 was pretty much plain EBM, almost synthpop). Then when I got used to EN and TG, Skinny Puppy is kinda like regular pop music to me, FLA and 242 almost mainstream... and now stuff like Wolf Eyes and so is experimental noise to me (then again, Wolf Eyes and such actually are noise projects, so I guess that might stick...). and the more I listen to stuff like Wolf Eyes and such, the more TG is plain mainstream music :) so it's all in the (moving) eyes of the beholder... :) btw, the funny thing with Einsturzende Neubauten is that they never intended to be experimental when it came to instruments, but they were so poor that the drummer had to sell his drums, so he borrowed and stole some tools that he used instead... ...and it went on from there... but when was DAWN OF ASHES ever "industrial"?
i own 2 of their albums and like them, but it sounds like blatantly standard EBM to me...
there's not much industrial being made anymore it seeems. everything's 4/4 beats anymore...
thankfullly the latest offfering from NITZER EBB is straight-up industrial, but yea...
Heh, the illusive "industrial" genre... :) - to be honest, it's best just forgetting about what "true" industrial is, go with the flow and use it to describe most or all music that either is or could be published by Metropolis, Alfa Matrix, Out of Line or Dependent. Industrial was used first by Throbbing Gristle and their likes... and trust me, Throbbing Gristle sounds nothing like Nitzer Ebb... Throbbing Gristle also sounds nothing like the rest of the stuff that is currently branded "industrial"... yea, i know... it's just that when i hear industrial, it usuallly means stufff that sounds like SP, FLA, NITZER, CLOCK DVA, etc. the pioneeers (TG, EN, SPK, etc.) seeem to have beeen lumped into a subgenre callled "experimental" industrial or even "avante garde"... genres... gottta love 'em. but i seriously would never classsify most EBM as industrial at alll. helll, it sounds more like techno than it does industrial imho. don't get me wrong tho... i listen to alll of it and i enjoy it alll. i guesss we alll just have our own ways to classssify songs in our iTunes ;) :D Yeah :) Actually, it's funny. The first "industrial"'ish thing I listened to was Apoptygma Berzerk, and that was pretty catchy right away, while stuff like FLA and Front 242 was just boring random shit... When I got used to those, I considered those hard industrial, and Skinny Puppy was just boring random and cold experimental B-side material (cold because I started with "The Process"). When I got used to SP, EN and TG was just unlistenable noise (by then FLA and F242 was pretty much plain EBM, almost synthpop). Then when I got used to EN and TG, Skinny Puppy is kinda like regular pop music to me, FLA and 242 almost mainstream... and now stuff like Wolf Eyes and so is experimental noise to me (then again, Wolf Eyes and such actually are noise projects, so I guess that might stick...). and the more I listen to stuff like Wolf Eyes and such, the more TG is plain mainstream music :) so it's all in the (moving) eyes of the beholder... :) btw, the funny thing with Einsturzende Neubauten is that they never intended to be experimental when it came to instruments, but they were so poor that the drummer had to sell his drums, so he borrowed and stole some tools that he used instead... ...and it went on from there... |
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« Last Edit: October 10, 2010, 01:48:27 pm by Hunter J7 »
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NOW I HAVE TO RUN BEFORE THE STORM, I'LL FIND MY OWN WAY.
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